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Cacus, the monster of the Aventine

Cacus is a demon of the Roman tradition.

The fire-breathing giant of the Aventine, slain by Hercules.

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Cacus, the fire-breathing giant of Roman legend
Cacus

In Roman legend, Cacus is a fire-breathing giant who dwells in a cave on the Aventine and terrorises the surrounding area. He steals part of the cattle of Geryon from Hercules and is slain by the hero.

His story is elaborated at length by Virgil, Livy and Ovid, and it establishes one of the oldest cult sites of Rome: the worship of Hercules at the Ara Maxima on the Forum Boarium. As the son of the fire god Vulcanus, Cacus embodies raw, destructive fire, the counterpart to the guarding hearth fire of his sister Caca.

At a glance: Cacus

Type: Fire-breathing giant of the Roman origin legend
Origin: Early Rome, cave on the Aventine
Texts: Virgil’s Aeneid, Livy, Ovid’s Fasti
Period: ancient Roman legend, elaborated in literature in the 1st century BC
Appearance: gigantic, half-animal monster that breathes fire and smoke

Textual history

Period of the Texts

The legend is ancient Roman and was elaborated at length by Virgil in the Aeneid, by Livy, and by Ovid in the Fasti.

Area of Diffusion

Early Rome: the setting is the cave on the Aventine, the reference point is the cult of Hercules at the Forum Boarium.

Sources

Good: the narrative stands within a firm literary tradition from Virgil through Livy to Ovid.

Name and variants

Latin: Cacus. The name is often linked to the Greek kakos, meaning bad, but is probably of older, Italic origin. Caca is the name of his female counterpart, his sister.

Appearance and behaviour

Appearance

Cacus is depicted as a gigantic, half-animal monster that breathes fire and smoke from its throat. His cave is hung with the skulls and limbs of the slain.

Effect

Cacus steals livestock and murders travellers. When Hercules passes by with the cattle of Geryon, he steals part of the animals and drags them backwards into his cave to disguise their tracks; the bellowing of the cattle betrays him, and Hercules slays him.

Profile: Cacus

The key aspects of the fire-breathing giant at a glance.

Tradition

Figure of the Roman origin legend, embodying raw, destructive fire; firmly established in literature since Virgil.

Relates To

Travellers and livestock owners of the surrounding area, whom he robs and kills; in the legend, finally Hercules himself.

Depiction

Gigantic and half-animal, breathing fire and smoke; his cave is hung with the skulls of the slain.

Sphere of Influence

Cattle theft, murder and terror on the Aventine, until Hercules slays the monster and restores order.

Dealing with it

Cacus himself has no cult; his death establishes the worship of Hercules at the Ara Maxima on the Forum Boarium.

Distinctions

Son of Vulcanus, brother of the guarding hearth goddess Caca: the same fire, opposite faces.

The cattle theft on the Aventine

The name Cacus is often linked to Greek kakos, bad, but is probably of older, Italic origin. The tale is elaborated at length by Virgil in the Aeneid, by Livy, and by Ovid in the Fasti. Cacus is regarded as the son of the fire god Vulcanus, which explains his fiery nature.

The story itself is simple and effective: when Hercules passes by with the cattle of Geryon, Cacus steals some of the animals and drags them backwards into his cave so that the tracks lead away from the hiding place. The bellowing of the cattle betrays him, Hercules slays him, and order replaces terror: the death of Cacus establishes the worship of Hercules at the Ara Maxima, one of the oldest cult sites in Rome.

From Virgil to the Renaissance

The tale of Cacus is firmly established in literature through Virgil and Ovid and was taken up in the art and sculpture of the Renaissance and Baroque periods, for instance in Florence. There, Cacus symbolises the raw brutality subdued by the hero.

From a religious-studies perspective, Cacus is a classic example of destructive fire portrayed as a monster overcome by the culture hero. The tale subordinates wild fire to order and links this to the founding of a cult site; the pair Cacus and Caca show the dual nature of fire.

No cult for the monster

Cacus himself has no cult; he is the defeated adversary. His death, however, establishes the worship of Hercules at the Ara Maxima at the Forum Boarium, one of the oldest cult sites in Rome. The tale served as an origin story for this cult and for the order that Hercules put in place of terror: it is not the monster that is worshipped, but its conqueror.

Fire monsters and their conquerors

Cacus corresponds to the type of the fire-breathing monster slain by a hero, a figure also known from the Greek battles against dragons and giants. As the son of Vulcanus, he stands in the fire lineage of the Roman fire god; his counterpart is the tended hearth fire of his sister Caca, who in the tale uncovers the theft of the cattle.

Frequently asked questions about Cacus

Who was Cacus?

A fire-breathing giant of Roman legend, son of Vulcanus, who lived in a cave on the Aventine and terrorised the surrounding area.

How did he die?

Hercules slew him after Cacus had stolen some of the cattle of Geryon; the bellowing of the animals had betrayed the hiding place.

What does he have to do with Caca?

Caca is his sister and a tending hearth goddess; she forms the counterpart to his destructive fire.

Further links

Recommended internal links:

Literature (selection)

A selection of key sources and studies:
  • Virgil: Aeneis, Book 8. 1st century BC.
  • Ovid: Fasti, Book 1. 1st century.
  • Livy: Ab urbe condita, Book 1. 1st century BC.

Further standard works in the bibliography.

As the fire-breathing giant of Rome and adversary of Hercules, Cacus remains the illustrative case of the tale: wild fire yields to order, and the place of terror becomes one of the oldest cult sites of the city.

Classification & Protection

IVLEVEL
The Protection Compass assigns this being to influence level IV, Severe influence.

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