{"id":105086,"date":"2026-08-04T14:01:00","date_gmt":"2026-08-04T14:01:00","guid":{"rendered":"https:\/\/iwell-guard.com\/eros-2\/"},"modified":"2026-08-04T14:01:22","modified_gmt":"2026-08-04T14:01:22","slug":"eros","status":"publish","type":"page","link":"https:\/\/iwell-guard.com\/ro\/eros\/","title":{"rendered":"Eros"},"content":{"rendered":"\t\t
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Eros, zeul grec al dorin\u021bei<\/h1>\n

Eros (grece\u0219te \u1f1c\u03c1\u03c9\u03c2) este una dintre cele mai vechi \u0219i totodat\u0103 mai versatile figuri ale panteonului grec. Ca zeu grec al iubirii, el este totodat\u0103 o for\u021b\u0103 cosmic\u0103 primordial\u0103. Spre deosebire de zeii olimpieni, care apar \u00een Iliada \u0219i \u00een Odiseea ca personaje definite, Eros este la \u00eenceput mai pu\u021bin o individualitate \u0219i mai mult o for\u021b\u0103 cosmic\u0103. Abia \u00een epoca elenistic\u0103 se contureaz\u0103 imaginea b\u0103ie\u021belului \u00eenaripat cu arc, care a marcat tradi\u021bia ulterioar\u0103.<\/p>

Hesiod \u0219i Teogonia<\/h3>

Cea mai veche surs\u0103 literar\u0103 este Teogonia lui Hesiod (\u00een jurul anului 700 \u00ee.Hr.). Acolo Eros se num\u0103r\u0103 printre primele fiin\u021be ap\u0103rute dup\u0103 Haos, al\u0103turi de Gaia (P\u0103m\u00e2ntul) \u0219i Tartaros (lumea subteran\u0103). Hesiod \u00eel descrie drept cel mai frumos dintre zeii nemuritori, cel care dezleag\u0103 m\u0103dularele \u0219i r\u0103pe\u0219te ra\u021biunea \u0219i sfatul \u00een\u021belept at\u00e2t zeilor, c\u00e2t \u0219i oamenilor (Theog. 120, 122). Aceast\u0103 pozi\u021bie face din Eros o m\u0103rime cosmogonic\u0103: el este for\u021ba care face posibil\u0103 uniunea \u0219i care ini\u021biaz\u0103 astfel desf\u0103\u0219urarea lumii zeilor. Aceast\u0103 form\u0103 timpurie se deosebe\u0219te esen\u021bial de figura personalizat\u0103 a zeului iubirii din epoca ulterioar\u0103.<\/p>

Tradi\u021bia orfic\u0103 \u0219i Phanes<\/h3>

\u00cen tradi\u021bia orfic\u0103, Eros este identificat cu Phanes, zeul primordial al crea\u021biei, n\u0103scut din oul cosmic. Imnurile orfice (probabil secolele II-III d.Hr.) \u00eel c\u00e2nt\u0103 pe Eros ca prim zeu nen\u0103scut, creator al tuturor lucrurilor. Aceast\u0103 lectur\u0103 teogonic\u0103 se dezvolt\u0103 \u00een paralel cu specula\u021biile filosofice care interpreteaz\u0103 Eros drept principiu cosmic de coeziune. Conceptul lui Empedocle despre iubire (philia) \u0219i disput\u0103 (neikos) ca for\u021be cosmice fundamentale se \u00eenscrie \u00een acest discurs, la fel ca \u0219i doctrina platonician\u0103 despre Eros.<\/p>

Platon \u0219i filosofia erosului<\/h3>

\u00cen Symposion, Platon schi\u021beaz\u0103 o teorie complex\u0103 a erosului. Diferi\u021bi vorbitori dezvolt\u0103 concep\u021bii distincte: Phaidros \u00eel laud\u0103 pe Eros ca pe cel mai vechi zeu, Pausanias distinge un Eros ceresc de unul popular, Aristofan poveste\u0219te mitul omului primordial desp\u0103r\u021bit, care \u00ee\u0219i caut\u0103 jum\u0103tatea lips\u0103. Celebrul discurs al Diotimei, redat de Socrate, descrie Eros ca daimon<\/span>, adic\u0103 o fiin\u021b\u0103 mijlocitoare \u00eentre om \u0219i zeu, \u0219i contureaz\u0103 o scar\u0103 a dorin\u021bei care urc\u0103 de la trup, prin suflet, p\u00e2n\u0103 la ideea Frumosului. Aceast\u0103 concep\u021bie filosofic\u0103 a erosului a marcat tradi\u021bia platonician\u0103 (Plotin<\/span>, Marsilio Ficino, Pico della Mirandola) p\u00e2n\u0103 \u00een Rena\u0219tere.<\/p>

Eros \u0219i Afrodita<\/h3>

Imaginea popular\u0103 \u00eel asociaz\u0103 pe Eros cu Afrodita<\/a> ca fiu \u0219i \u00eenso\u021bitor al acesteia. Aceast\u0103 leg\u0103tur\u0103 apare t\u00e2rziu \u00een literatur\u0103: la Hesiod, Eros este f\u0103r\u0103 p\u0103rin\u021bi, iar la Homer lipse\u0219te ca figur\u0103 personal\u0103. Abia \u00een poezia elenistic\u0103 (Apollonios, Teocrit) apare ca fiu copil\u0103resc al zei\u021bei iubirii, care \u00eei r\u0103ne\u0219te pe zei \u0219i pe oameni cu s\u0103ge\u021bile sale. Imaginea din Argonautica lui Apollonios, \u00een care Eros trage o s\u0103geat\u0103 \u00een inima Medeii, se \u00eenscrie \u00een aceast\u0103 tradi\u021bie. Fuziunea figurii arhaice a erosului cosmic cu b\u0103ie\u021belul arca\u0219 elenistic a dominat receptarea ulterioar\u0103.<\/p>

Tradi\u021bia iconografic\u0103 \u0219i simbolica<\/h3>

Tradi\u021bia iconografic\u0103 antic\u0103 \u00eel \u00eenf\u0103\u021bi\u0219eaz\u0103 pe Eros cu atribute variate. Pe vasele cu figuri ro\u0219ii din secolul al V-lea, el este un t\u00e2n\u0103r \u00eenaripat, adesea \u00een compania Afroditei. Pe reliefurile elenistice apare ca b\u0103ie\u021bel cu arc \u0219i tolb\u0103, uneori cu ochii lega\u021bi, simboliz\u00e2nd orbirea iubirii. \u00cen perioada imperiului roman, Eros se contope\u0219te cu Cupido \u0219i Amor; reliefurile de pe sarcofage \u00eel prezint\u0103 ca \u00eenso\u021bitor al celor deceda\u021bi. Aceast\u0103 tradi\u021bie iconografic\u0103 s-a transmis din Rena\u0219tere \u00een pictura baroc\u0103 \u0219i \u00een iconografia cre\u0219tin\u0103 a \u00eengerilor, din care putti \u00eenaripa\u021bi provin din tradi\u021bia lui Eros.<\/p>

Ecoul modern \u0219i \u00eencadrarea \u00een istoria religiilor<\/h3>

\u00cen \u0219tiin\u021ba modern\u0103 a religiilor, Eros este discutat mai ales sub dou\u0103 aspecte. Pe de o parte, ca principiu cosmogonic \u00een specula\u021bia presocratic\u0103 \u0219i orfic\u0103, comparabil tipologic cu concepte similare din alte culturi (yang-yin chinez, Kama hindus, perechea egiptean\u0103 Geb-Nut). Pe de alt\u0103 parte, ca categorie etico-filosofic\u0103, devenit\u0103 \u00een tradi\u021bia platonico-augustinian\u0103 fundament al unei teologii a iubirii. C. S. Lewis a descris \u00een The Four Loves<\/em> (1960) Eros ca una dintre cele patru forme ale iubirii, al\u0103turi de Storge, Philia \u0219i Agape, introduc\u00e2nd astfel diferen\u021bierea antic\u0103 \u00een teologia modern\u0103. Walter Burkert<\/span> (Griechische Religion, 1977) \u00eel \u00eencadreaz\u0103 pe Eros \u00een spectrul arhaic al zeilor \u0219i subliniaz\u0103 profunzimea cosmogonic\u0103 a pozi\u021biei hesiodice.<\/p>

Teme \u00eenrudite:<\/strong> Afrodita<\/a> | Hermes<\/a> | Hades<\/a><\/p>\n

Eros \u00een tradi\u021bia roman\u0103<\/h3>\n

\u00cen mitologia roman\u0103, Eros poart\u0103 numele Cupido<\/em> (Dorin\u021b\u0103) sau Amor<\/em> (Iubire) \u0219i se apropie mai mult de mama sa Venus dec\u00e2t \u00een forma mai veche. Povestea Amor \u0219i Psyche<\/em> din Metamorfozele<\/em> lui Apuleius (secolul al II-lea d.Hr.) \u00eei confer\u0103 lui Eros o profunzime narativ\u0103 pe care nu o avusese \u00een tradi\u021bia greac\u0103: aici el devine \u00eendr\u0103gostitul care se ata\u0219eaz\u0103 de o femeie muritoare \u0219i o ridic\u0103, dup\u0103 \u00eendelungate probe, \u00een r\u00e2ndul zeilor. Aceast\u0103 nara\u021biune este interpretat\u0103 \u00een Antichitatea t\u00e2rzie cre\u0219tin\u0103 ca alegorie a sufletului condus spre des\u0103v\u00e2r\u0219ire prin iubirea divin\u0103.<\/p>\n

Eros \u00een psihologia modern\u0103<\/h3>\n

Sigmund Freud preia conceptul de Eros dup\u0103 1920 \u00een Dincolo de principiul pl\u0103cerii<\/em>: Eros devine pulsiunea vie\u021bii, care ac\u021bioneaz\u0103 \u00eempotriva pulsiunii mor\u021bii (Thanatos), impulsul de coeziune \u00eempotriva dezintegr\u0103rii. Aceast\u0103 lectur\u0103 psihanalitic\u0103 are r\u0103d\u0103cini antice (disputa lui Empedocle dintre iubire \u0219i ur\u0103), dar confer\u0103 conceptului de Eros o dimensiune biologic\u0103 pe care acesta nu o avusese \u00een mitologia antic\u0103. C. G. Jung extinde conceptul la simbolul for\u021bei de rela\u021bionare \u00een general \u0219i \u00eel plaseaz\u0103 ca func\u021bie psihologic\u0103 al\u0103turi de Logos.<\/p>\n

Eros \u0219i \u00eenrudirea cu alte divinit\u0103\u021bi ale iubirii<\/h3>\n

Eros face parte dintr-o larg\u0103 familie de divinit\u0103\u021bi ale iubirii, prezente \u00een \u00eentreaga istorie a religiilor. \u00cen panteonul mesopotamian, Inanna\/I\u0219tar<\/em> \u00eendepline\u0219te un rol similar, cu o component\u0103 mult mai combativ\u0103. \u00cen spa\u021biul egiptean, Hathor<\/em> este principala divinitate a iubirii \u0219i a senzualit\u0103\u021bii. \u00cen nordul germanic, \u00eei corespunde Freya<\/a> ca zei\u021b\u0103 a iubirii \u0219i a magiei. \u00cen tradi\u021bia hinduist\u0103 se reg\u0103se\u0219te Kamadeva<\/em>, zeul iubirii purt\u0103tor de arc, remarcabil de apropiat de Eros grec prin tradi\u021bia iconografic\u0103 \u0219i simbolic\u0103, fapt care \u00een secolul al XIX-lea a condus la teza unei divinit\u0103\u021bi indo-europene originare a dorin\u021bei. Aceast\u0103 tez\u0103 este ast\u0103zi contestat\u0103 \u00een \u0219tiin\u021ba religiilor, dar paralelele r\u0103m\u00e2n remarcabile.<\/p>\n

Eros \u00een spiritualitatea contemporan\u0103<\/h3>\n

\u00cen curentele spirituale neop\u0103g\u00e2ne, neoplatonice \u0219i de inspira\u021bie tantric\u0103 contemporane, Eros este \u00een\u021beles frecvent ca for\u021b\u0103 cosmic\u0103 de atrac\u021bie, mi\u0219carea prin care ceea ce este separat tinde spre unire. Aceast\u0103 lectur\u0103 este platonician\u0103 \u00een esen\u021b\u0103, dar mijloce\u0219te bine \u00eentre tradi\u021bia mitic\u0103 \u0219i experien\u021ba psihologic\u0103. \u00cen spiritualitatea practic\u0103, Eros serve\u0219te ca mediator \u00eentre experien\u021ba senzorial\u0103 \u0219i cea spiritual\u0103, o func\u021bie care se anun\u021b\u0103 deja \u00een discursurile din Symposion al lui Platon.<\/p>\n

Surse<\/h3>\n
    \n
  • Hesiod: Theogonie<\/em>, hg. Albert von Schirnding, Tusculum 1991.<\/li>\n
  • Platon: Symposion<\/em>, dt. Reinhard Brandt, Reclam 1996.<\/li>\n
  • Apuleius: Metamorphosen<\/em>, hg. Edward J. Kenney, Cambridge UP 1990.<\/li>\n
  • Sigmund Freud: Jenseits des Lustprinzips<\/em>, Wien 1920.<\/li>\n
  • Walter Burkert: Griechische Religion der archaischen und klassischen Epoche<\/em>, Kohlhammer 1977.<\/li>\n<\/ul>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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    Eros, zeul grec<\/strong> al dorin\u021bei, apare \u00een Teogonia hesiodic\u0103 drept un zeu primordial.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t

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    Eros ca zeu primordial \u0219i ca fiu al Afroditei<\/h2>\t\t\t\t<\/div>\n\t\t
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    Tradi\u021bia greac\u0103 cunoa\u0219te dou\u0103 concep\u021bii foarte diferite despre Eros, care nu se pot concilia cu u\u0219urin\u021b\u0103. Tradi\u021bia mai veche, cosmogonic\u0103, face din Eros una dintre primele puteri \u00een genere. \u00cen Teogonia<\/em> lui Hesiod, dat\u00e2nd din sf\u00e2r\u0219itul secolului al VIII-lea sau \u00eenceputul secolului al VII-lea \u00ee.Hr., Eros apare imediat dup\u0103 Haos, Gaia \u0219i Tartaros. El nu este acolo o figur\u0103 dr\u0103g\u0103la\u0219\u0103, ci o for\u021b\u0103 originar\u0103, motrice, care supune zeii \u0219i oamenii \u0219i f\u0103r\u0103 de care nicio unire \u0219i nicio z\u0103mislire nu ar fi cu putin\u021b\u0103.<\/p>

    De asemenea, \u00een cosmogonia orfic\u0103 Eros joac\u0103 rolul unei puteri creatoare, \u00een parte sub numele de Phanes sau asociat cu acesta, ca o fiin\u021b\u0103 luminoas\u0103 ie\u0219it\u0103 dintr-un ou. Aceste concep\u021bii cosmogonece despre Eros subliniaz\u0103 func\u021bia sa de principiu al unirii, care aduce laolalt\u0103 elementele separate ale lumii.<\/p>

    Tradi\u021bia mai recent\u0103, popular\u0103, \u00eel face pe Eros fiu al Afroditei, adesea cu Ares ca tat\u0103. \u00cen aceast\u0103 form\u0103, el este t\u00e2n\u0103rul sau copilul care o \u00eenso\u021be\u0219te pe mama sa \u0219i aprinde iubirea cu arc \u0219i s\u0103geat\u0103. Aceast\u0103 versiune predomin\u0103 \u00eendeosebi \u00een poezia perioadei clasice \u0219i elenistice.<\/p>

    Cercetarea vede \u00een aceast\u0103 dualitate nu o simpl\u0103 ne\u00een\u021belegere, ci dou\u0103 func\u021bii diferite ale aceluia\u0219i concept. Cuv\u00e2ntul grecesc eros<\/em> desemneaz\u0103 at\u00e2t for\u021ba cosmic\u0103 de atrac\u021bie, c\u00e2t \u0219i dorin\u021ba erotic\u0103 individual\u0103. Mitologia a exprimat aceast\u0103 amplitudine semantic\u0103 \u00een dou\u0103 figuri divine, f\u0103r\u0103 a le unifica vreodat\u0103 pe deplin.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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    Eros \u0219i Psyche la Apuleius<\/h2>\t\t\t\t<\/div>\n\t\t
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    Cea mai celebr\u0103 nara\u021biune coerent\u0103 despre Eros nu se afl\u0103 \u00eentr-un text grecesc, ci \u00eentr-unul latin: romanul Metamorfoze<\/em> al lui Apuleius din secolul al II-lea d.Hr., cunoscut \u0219i sub titlul M\u0103garul de aur<\/em>. Acolo povestea lui Amor \u0219i Psyche este inserat\u0103 ca o nara\u021biune secundar\u0103 mai ampl\u0103.<\/p>

    Psyche este o prin\u021bes\u0103 at\u00e2t de frumoas\u0103, \u00eenc\u00e2t oamenii o venereaz\u0103 ca pe Afrodita. Zei\u021ba geloas\u0103 \u00eel trimite pe fiul s\u0103u Eros s\u0103 o arunce pe Psyche \u00eentr-o iubire ru\u0219inoas\u0103, dar Eros se \u00eendr\u0103goste\u0219te el \u00eensu\u0219i de ea. O duce \u00eentr-un palat ascuns, o viziteaz\u0103 doar \u00een \u00eentuneric \u0219i \u00eei interzice s\u0103 \u00eei vad\u0103 fa\u021ba. Instigat\u0103 de surorile ei invidioase, Psyche \u00eel lumineaz\u0103 cu o lamp\u0103 \u00een timp ce doarme; o pic\u0103tur\u0103 de ulei fierbinte \u00eel treze\u0219te, iar Eros fuge.<\/p>

    Psyche trebuie acum s\u0103 \u00eendeplineasc\u0103 o serie de sarcini aparent imposibile pe care i le impune Afrodita, printre care sortarea unui morman de cereale \u0219i aducerea de ap\u0103 dintr-un izvor inaccesibil. \u00cen cele din urm\u0103, coboar\u0103 chiar \u00een lumea de dincolo. La final, Eros \u0219i Psyche sunt reuni\u021bi \u00een r\u00e2ndul zeilor, iar Psyche dob\u00e2nde\u0219te nemurirea.<\/p>

    Cercetarea a interpretat aceast\u0103 nara\u021biune \u00een multiple moduri. Cuv\u00e2ntul grecesc psyche<\/em> \u00eenseamn\u0103 suflet, motiv pentru care povestea a fost citit\u0103 alegoric \u00eenc\u0103 din Antichitate ca drum al sufletului. Al\u021bii subliniaz\u0103 structura de basm, cu probele \u0219i ajutoarele sale. Indiferent de interpretare, nara\u021biunea a devenit unul dintre cele mai influente subiecte din arta \u0219i literatura european\u0103 \u0219i a marcat profund imaginea lui Eros \u00een epoca modern\u0103.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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    Eros \u00een g\u00e2ndirea filosofic\u0103 a lui Platon<\/h2>\t\t\t\t<\/div>\n\t\t
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    Eros nu este doar o figur\u0103 a mitologiei \u0219i poeziei, ci \u0219i un concept central al filosofiei grece\u0219ti. Cea mai important\u0103 dezbatere pe aceast\u0103 tem\u0103 se g\u0103se\u0219te \u00een dialogul lui Platon Symposion<\/em>, din secolul al IV-lea \u00ee.Hr., \u00een care mai mul\u021bi vorbitori rostesc elogii la adresa lui Eros \u00een cadrul unui banchet.<\/p>

    Punctul culminant \u00eel constituie discursul lui Socrate, care red\u0103 \u00eenv\u0103\u021b\u0103tura profetesei Diotima. Acolo Eros nu este \u00eenf\u0103\u021bi\u0219at ca zeu \u00een sens deplin, ci ca un daimon<\/em>, o fiin\u021b\u0103 mijlocitoare \u00eentre zei \u0219i oameni. Eros este, dup\u0103 Diotima, fiul lui Poros, bog\u0103\u021bia sau ingeniozitatea, \u0219i al Peniei, s\u0103r\u0103cia. De aceea nu este nici bogat, nici s\u0103rac, nici frumos, nici ur\u00e2t, ci mereu \u00een c\u0103utare, mereu n\u0103zuind.<\/p>

    Din aceast\u0103 determinare, Platon dezvolt\u0103 celebra sa doctrin\u0103 despre ascensiune. Erosul \u00eencepe cu atrac\u021bia fa\u021b\u0103 de un trup frumos, dar trebuie s\u0103 se deta\u0219eze treptat: de la un trup la frumuse\u021bea tuturor trupurilor, de acolo la frumuse\u021bea sufletelor, a legilor, a cunoa\u0219terii, p\u00e2n\u0103 la contemplarea Frumosului \u00een sine. Eros este astfel for\u021ba care \u00eel \u00eempinge pe om dincolo de senzorial spre cunoa\u0219tere.<\/p>

    Aceast\u0103 interpretare filosofic\u0103 a conferit cuv\u00e2ntului o istorie a efectelor ce dep\u0103\u0219e\u0219te cu mult mitologia. Conceptul de iubire platonic\u0103 provine din aceast\u0103 doctrin\u0103, chiar dac\u0103 \u00een uzul actual este adesea \u00een\u021beles \u00een mod simplificat. Cercetarea subliniaz\u0103 c\u0103 Platon a reinterpretat deliberat Erosul mitologic pentru a-l face productiv \u00een sistemul s\u0103u filosofic.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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    Iconografia \u0219i evolu\u021bia reprezent\u0103rii lui Eros<\/h2>\t\t\t\t<\/div>\n\t\t
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    Reprezentarea plastic\u0103 a lui Eros s-a schimbat considerabil \u00een decursul istoriei artei grece\u0219ti \u0219i romane. \u00cen epoca arhaic\u0103, Eros apare de obicei ca un t\u00e2n\u0103r frumos, adesea \u00eenaripat, \u00een floarea tinere\u021bii. Aceast\u0103 reprezentare corespunde semnifica\u021biei sale cosmogonece timpurii \u0219i rolului s\u0103u de for\u021b\u0103 puternic\u0103, demn\u0103 de luat \u00een seam\u0103.<\/p>

    \u00cen perioada clasic\u0103, tipul juvenil r\u0103m\u00e2ne r\u0103sp\u00e2ndit, dar Eros apare tot mai mult ca \u00eenso\u021bitor al Afroditei \u0219i este \u00eenf\u0103\u021bi\u0219at tenden\u021bial mai t\u00e2n\u0103r. Celebrul sculptor Praxitele \u0219i \u0219coala sa au contribuit la r\u0103sp\u00e2ndirea figurinelor gra\u021bioase de Eros.<\/p>

    \u00cen epoca elenistic\u0103 se produce transformarea decisiv\u0103: Eros devine copil, b\u0103ie\u021bel rotofei cu arc, adesea \u00eenf\u0103\u021bi\u0219at juc\u0103u\u0219 sau adormit. Din aceast\u0103 tradi\u021bie se dezvolt\u0103 \u00een arta roman\u0103 Amor sau Cupido, frecvent la plural ca un \u00eentreg grup de b\u0103ie\u021bi \u00eenaripa\u021bi ai iubirii, numi\u021bi Eroti sau Amorini, care populeaz\u0103 picturi murale, sarcofage \u0219i mozaicuri.<\/p>

    Aceast\u0103 form\u0103 t\u00e2rzie, copil\u0103reasc\u0103, a marcat cel mai puternic imaginea postantic\u0103. Prin arta roman\u0103, b\u0103ie\u021belul \u00eenaripat al iubirii a p\u0103truns \u00een arta Rena\u0219terii \u0219i a barocului, unde a devenit omniprezent ca putto. Cercetarea vede \u00een aceast\u0103 evolu\u021bie de la puterea originar\u0103 la putto-ul copil\u0103resc o diminuare treptat\u0103 care a acoperit aproape complet gravitatea ini\u021bial\u0103 a figurii. Cine vrea s\u0103 \u00een\u021beleag\u0103 Erosul timpuriu, puternic, trebuie s\u0103 treac\u0103 \u00een mod con\u0219tient dincolo de aceast\u0103 imagine ulterioar\u0103.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

    \n\t\t\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t\t\t\t\t

    Ca zeu antic<\/em> al iubirii, Eros \u00eentruchipeaz\u0103 totodat\u0103 o for\u021b\u0103 creatoare<\/em> cosmic\u0103: la Hesiod el se num\u0103r\u0103 printre cele mai vechi divinit\u0103\u021bi primordiale, \u00een timp ce poezia ulterioar\u0103 \u00eel configureaz\u0103 ca t\u00e2n\u0103r fiu al Afroditei.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

    Eros, zeul grec al dorin\u021bei Eros (grece\u0219te \u1f1c\u03c1\u03c9\u03c2) este una dintre cele mai vechi \u0219i totodat\u0103 mai versatile figuri ale panteonului grec. Ca zeu grec al iubirii, el este totodat\u0103 o for\u021b\u0103 cosmic\u0103 primordial\u0103. Spre deosebire de zeii olimpieni, care apar \u00een Iliada \u0219i \u00een Odiseea ca personaje definite, Eros este la \u00eenceput mai pu\u021bin […]<\/p>\n","protected":false},"author":3,"featured_media":3610,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"_yoast_wpseo_focuskw":"Eros","_yoast_wpseo_title":"Eros, zeul grec al iubirii \u0219i for\u021b\u0103 primordial\u0103 | iWell Guard","_yoast_wpseo_metadesc":"Eros la Hesiod, \u00een imnurile orfice, la Platon \u0219i \u00een arta elenistic\u0103: creator, daimon \u0219i seduc\u0103tor.","_yoast_wpseo_meta-robots-noindex":"","_yoast_wpseo_canonical":"","_angie_page":false,"gefaehrdungsstufe":"2","wesen_kultur":"griechenland","wesen_klasse":"goetter","footnotes":""},"categories":[],"class_list":["post-105086","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nEros, zeul grec al iubirii \u0219i for\u021b\u0103 primordial\u0103 | 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