{"id":195073,"date":"2026-09-07T09:38:37","date_gmt":"2026-09-07T09:38:37","guid":{"rendered":"https:\/\/iwell-guard.com\/?page_id=195073"},"modified":"2026-09-07T09:41:15","modified_gmt":"2026-09-07T09:41:15","slug":"lada","status":"publish","type":"page","link":"https:\/\/iwell-guard.com\/gl\/lada\/","title":{"rendered":"Lada"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"195073\" class=\"elementor elementor-195073 elementor-3031 elementor-bc-flex-widget\" data-elementor-post-type=\"page\">\n\t\t\t\t<div class=\"elementor-element elementor-element-181696a e-flex e-con-boxed e-con e-parent\" data-id=\"181696a\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-405cf75 e-flex e-con-boxed e-con e-child\" data-id=\"405cf75\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-4e51bd7 e-con-full e-flex e-con e-child\" data-id=\"4e51bd7\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-b30b903 elementor-widget elementor-widget-heading\" data-id=\"b30b903\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">Lada, deusa eslava do amor<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-8919e13 elementor-widget elementor-widget-text-editor\" data-id=\"8919e13\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>Lada \u00e9 no <span class=\"iwg-fachbegriff\" data-tooltip=\"O conxunto dos deuses dunha relixi\u00f3n ou cultura.\" tabindex=\"0\">pante\u00f3n<\/span> eslavo a deusa do amor, da beleza, do matrimonio e da primavera. A diferenza dos deuses da rolda de seis de Vladimir, Lada non est\u00e1 documentada directamente en ningunha cr\u00f3nica medieval; o seu nome aparece por primeira vez en escritos homil\u00e9ticos polacos do baixo medievo e en canci\u00f3ns populares de voda e primavera.<\/p><p>Por este motivo, a s\u00faa existencia como deusa independente \u00e9 obxecto de controversia na investigaci\u00f3n actual. Aleksander Br\u00fcckner consider\u00e1baa un simple estribillo de canci\u00f3n, mentres que Aleksander Gieysztor e Boris Rybakov a viron como unha deusa xenu\u00edna cuxo rastro perdurou na tradici\u00f3n popular. Esta p\u00e1xina presenta ambas as posici\u00f3ns e segue o consenso prudente actual.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-75cc6ec e-con-full e-flex e-con e-parent\" data-id=\"75cc6ec\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-9fa10d3 elementor-widget elementor-widget-html\" data-id=\"9fa10d3\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t\t<div class=\"iwg-pill-row\"><span class=\"iwg-klasse-badge\" tabindex=\"0\" data-tooltip=\"Deus \/ Deusa: Poder supremo personificado no pante\u00f3n dunha cultura, con competencias claras \u2014 forzas naturais, destino, guerra, fertilidade. Venerado mediante cultos, ofrendas e instituci\u00f3ns de templo.\">Deus<\/span><a href=\"https:\/\/iwell-guard.com\/gl\/eslavo\/\" class=\"iwg-kultur-badge\" tabindex=\"0\" data-tooltip=\"Mitolox\u00eda e relixi\u00f3n popular eslava, superposta polo cristianismo a partir do s\u00e9culo X.\">Eslavo<\/a><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-3b72310 e-con-full e-flex e-con e-child\" data-id=\"3b72310\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-51a4bba elementor-toc--minimized-on-tablet elementor-widget elementor-widget-table-of-contents\" data-id=\"51a4bba\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;exclude_headings_by_selector&quot;:[],&quot;no_headings_message&quot;:&quot;Non se atoparon t\\u00edtulos nesta p\\u00e1xina.&quot;,&quot;headings_by_tags&quot;:[&quot;h2&quot;,&quot;h3&quot;],&quot;marker_view&quot;:&quot;bullets&quot;,&quot;icon&quot;:{&quot;value&quot;:&quot;fas fa-circle&quot;,&quot;library&quot;:&quot;fa-solid&quot;,&quot;rendered_tag&quot;:&quot;&lt;svg class=\\&quot;e-font-icon-svg e-fas-circle\\&quot; viewBox=\\&quot;0 0 512 512\\&quot; xmlns=\\&quot;http:\\\/\\\/www.w3.org\\\/2000\\\/svg\\&quot;&gt;&lt;path d=\\&quot;M256 8C119 8 8 119 8 256s111 248 248 248 248-111 248-248S393 8 256 8z\\&quot;&gt;&lt;\\\/path&gt;&lt;\\\/svg&gt;&quot;},&quot;minimize_box&quot;:&quot;yes&quot;,&quot;minimized_on&quot;:&quot;tablet&quot;,&quot;hierarchical_view&quot;:&quot;yes&quot;,&quot;min_height&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;min_height_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;min_height_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]}}\" data-widget_type=\"table-of-contents.default\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-toc__header\">\n\t\t\t\t\t\t<h2 class=\"elementor-toc__header-title\">\n\t\t\t\t\u00cdndice\t\t\t<\/h2>\n\t\t\t\t\t\t\t\t\t\t<div class=\"elementor-toc__toggle-button elementor-toc__toggle-button--expand\" role=\"button\" tabindex=\"0\" aria-controls=\"elementor-toc__51a4bba\" aria-expanded=\"true\" aria-label=\"Open table of contents\"><svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-chevron-down\" viewBox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M207.029 381.476L12.686 187.132c-9.373-9.373-9.373-24.569 0-33.941l22.667-22.667c9.357-9.357 24.522-9.375 33.901-.04L224 284.505l154.745-154.021c9.379-9.335 24.544-9.317 33.901.04l22.667 22.667c9.373 9.373 9.373 24.569 0 33.941L240.971 381.476c-9.373 9.372-24.569 9.372-33.942 0z\"><\/path><\/svg><\/div>\n\t\t\t\t<div class=\"elementor-toc__toggle-button elementor-toc__toggle-button--collapse\" role=\"button\" tabindex=\"0\" aria-controls=\"elementor-toc__51a4bba\" aria-expanded=\"true\" aria-label=\"Close table of contents\"><svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-chevron-up\" viewBox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M240.971 130.524l194.343 194.343c9.373 9.373 9.373 24.569 0 33.941l-22.667 22.667c-9.357 9.357-24.522 9.375-33.901.04L224 227.495 69.255 381.516c-9.379 9.335-24.544 9.317-33.901-.04l-22.667-22.667c-9.373-9.373-9.373-24.569 0-33.941L207.03 130.525c9.372-9.373 24.568-9.373 33.941-.001z\"><\/path><\/svg><\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<div id=\"elementor-toc__51a4bba\" class=\"elementor-toc__body\">\n\t\t\t<div class=\"elementor-toc__spinner-container\">\n\t\t\t\t<svg class=\"elementor-toc__spinner eicon-animation-spin e-font-icon-svg e-eicon-loading\" aria-hidden=\"true\" viewBox=\"0 0 1000 1000\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M500 975V858C696 858 858 696 858 500S696 142 500 142 142 304 142 500H25C25 237 238 25 500 25S975 237 975 500 763 975 500 975Z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-c166d20 e-con-full e-flex e-con e-child\" data-id=\"c166d20\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-2f07478 iwg-hero-image elementor-widget elementor-widget-image\" data-id=\"2f07478\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/iwell-guard.com\/wp-content\/uploads\/2026\/05\/goetter_slawisch_lada-683x1024.webp\" class=\"attachment-large size-large wp-image-196672\" alt=\"Lada - Deuses da tradici\u00f3n eslava, ilustraci\u00f3n hist\u00f3rica\" srcset=\"https:\/\/iwell-guard.com\/wp-content\/uploads\/2026\/05\/goetter_slawisch_lada-683x1024.webp 683w, https:\/\/iwell-guard.com\/wp-content\/uploads\/2026\/05\/goetter_slawisch_lada-200x300.webp 200w, https:\/\/iwell-guard.com\/wp-content\/uploads\/2026\/05\/goetter_slawisch_lada-768x1152.webp 768w, https:\/\/iwell-guard.com\/wp-content\/uploads\/2026\/05\/goetter_slawisch_lada.webp 1024w\" sizes=\"(max-width: 683px) 100vw, 683px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-8e86c94 e-con-boxed e-flex e-con e-parent\" data-id=\"8e86c94\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-c069bd3 e-con-full e-flex e-con e-child\" data-id=\"c069bd3\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-e6f0bd4 elementor-widget elementor-widget-heading\" data-id=\"e6f0bd4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Fontes e controversia acad\u00e9mica<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-e7ffce5 elementor-widget elementor-widget-text-editor\" data-id=\"e7ffce5\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>As menci\u00f3ns m\u00e1is antigas de Lada procede\u00f1 de decretos sinodais e escritos homil\u00e9ticos polacos do s\u00e9culo XV. O decreto do s\u00ednodo de \u0141\u0119czyca (1420) prohibe o baile e o canto en Pentecoste e cita nel as invocaci\u00f3ns \u00ab\u0141ado, \u0142ado!\u00bb.<\/p><p>Prohibici\u00f3ns semellantes aparecen nos \u00abAnnales seu cronicae incliti Regni Poloniae\u00bb (1455 a 1480) de Jan D\u0142ugosz, quen describe a Lada como equivalente polaco de Marte e a sit\u00faa xunto a toda unha lista de deuses polacos. Esta lista \u00e9 problem\u00e1tica desde o punto de vista da historia das relixi\u00f3ns, xa que D\u0142ugosz constru\u00edu en parte o <span class=\"iwg-fachbegriff\" data-tooltip=\"O conxunto dos deuses dunha relixi\u00f3n ou cultura.\" tabindex=\"0\">pante\u00f3n<\/span> eslavo segundo o modelo romano.<\/p>\n<p>Aleksander Br\u00fcckner (\u00abMitologia s\u0142owia\u0144ska\u00bb, 1918) rexeitou con firmeza a existencia de Lada como deusa. Para el, \u00ab\u0142ado\u00bb \u00e9 un estribillo de canci\u00f3n, comparable ao \u00ablalala\u00bb alem\u00e1n, que cl\u00e9rigos posteriores personificaron erroneamente. Esta posici\u00f3n esc\u00e9ptica dominou boa parte do s\u00e9culo XX e foi asumida en gran medida por Henryk \u0141owmia\u0144ski.<\/p>\n<p>Aleksander Gieysztor (\u00abMitologia S\u0142owian\u00bb, 1982) e Boris Rybakov, pola contra, defenderon a existencia de Lada.<\/p><p>Gieysztor apunta \u00e1 frecuencia e difusi\u00f3n das invocaci\u00f3ns a Lada desde o B\u00e1ltico ata os Balc\u00e1ns, a paralelos na <span class=\"iwg-fachbegriff\" data-tooltip=\"O conxunto dos relatos mitol\u00f3xicos transmitidos por unha cultura.\" tabindex=\"0\">mitolox\u00eda<\/span> letoa (Laima, deusa do destino) e \u00e1 necesidade estrutural dunha deusa do amor e da primavera dentro do <span class=\"iwg-fachbegriff\" data-tooltip=\"O conxunto dos deuses dunha relixi\u00f3n ou cultura.\" tabindex=\"0\">pante\u00f3n<\/span> reconstru\u00edble.<\/p><p>A investigaci\u00f3n m\u00e1is recente (Ji\u0159\u00ed Dynda, Michael Shkapa) tende a unha posici\u00f3n intermedia: Lada foi probablemente unha figura popular do \u00e1mbito eslavo oriental e polaco, non necesariamente pertencente ao <span class=\"iwg-fachbegriff\" data-tooltip=\"O conxunto dos deuses dunha relixi\u00f3n ou cultura.\" tabindex=\"0\">pante\u00f3n<\/span> oficial da Rus de K\u00edev, pero enraizada na relixiosidade popular.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-bccdfb9 e-con-full e-flex e-con e-child\" data-id=\"bccdfb9\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c180e27 elementor-widget elementor-widget-heading\" data-id=\"c180e27\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Nome e etimolox\u00eda<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-cc6caec elementor-widget elementor-widget-text-editor\" data-id=\"cc6caec\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>O nome \u00abLada\u00bb der\u00edvase do protoeslavo \u00ab*lada\u00bb (\u00abamada, muller, orde\u00bb), relacionado co antigo ruso \u00ablad\u044a\u00bb (harmon\u00eda, concordia), o serbio \u00ablada\u00bb (muller, amada) e o checo \u00abladn\u00fd\u00bb (grazoso).<\/p><p>No uso ling\u00fc\u00edstico ruso, \u00ablad\u00bb conservou o significado de \u00abpaz, orde, concordia\u00bb at\u00e9 o ruso moderno. A conexi\u00f3n etimol\u00f3xica coa deusa v\u00e1nica n\u00f3rdica Frigg\/Frigga (do indoeuropeo \u00ab*priH-\u00bb, amar) foi discutida ocasionalmente, mais non \u00e9 ling\u00fcisticamente conclu\u00ednte.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-d7756f3 e-con-full e-flex e-con e-child\" data-id=\"d7756f3\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-ac25bc6 elementor-widget elementor-widget-heading\" data-id=\"ac25bc6\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Funci\u00f3n e aparencia<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-76d4728 elementor-widget elementor-widget-text-editor\" data-id=\"76d4728\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>Na medida en que se pode reconstru\u00edr a partir das fontes de relixiosidade popular, Lada \u00e9 a deusa do amor, do matrimonio, da beleza feminina e da primavera. Inv\u00f3case en canci\u00f3ns de primavera, m\u00e9ntase nos ritos de voda e c\u00e1ntase en bailes circulares e roldas (\u00abkhorovody\u00bb).<\/p><p>Na <span class=\"iwg-fachbegriff\" data-tooltip=\"A cultura popular transmitida con costumes, relatos e canci\u00f3ns.\" tabindex=\"0\">folclore<\/span> ucra\u00edno e polaco \u00e9 a mi\u00fado a deusa protectora das rapazas e mulleres solteiras, e a s\u00faa veneraci\u00f3n coincide cos costumes de maio. Nas canci\u00f3ns m\u00e1is antigas conservadas aparece con frecuencia acompa\u00f1ada dunha figura masculina chamada \u00abLado\u00bb ou \u00abLel\u00bb, cuxa condici\u00f3n de deus independente tam\u00e9n \u00e9 obxecto de controversia.<\/p>\n<p>As artes pl\u00e1sticas s\u00f3 se ocuparon de Lada a partir do movemento popular rom\u00e1ntico do s\u00e9culo XIX, represent\u00e1ndoa como unha moza rubia con traxe branco de voda, a mi\u00fado cunha coroa de flores e acompa\u00f1ada de cisnes. Esta <span class=\"iwg-fachbegriff\" data-tooltip=\"O estudo do contido das imaxes e o seu significado.\" tabindex=\"0\">iconograf\u00eda<\/span> \u00e9 unha construci\u00f3n moderna e non ten modelos medievais directos.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-3aecef9 e-con-full e-flex e-con e-child\" data-id=\"3aecef9\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-073604c elementor-widget elementor-widget-heading\" data-id=\"073604c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Veneraci\u00f3n e costumes populares<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-2bfbbe1 elementor-widget elementor-widget-text-editor\" data-id=\"2bfbbe1\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>O rastro m\u00e1is importante de Lada \u00e9 a <span class=\"iwg-fachbegriff\" data-tooltip=\"O acto de invocar ou conxurar suplicantemente unha divindade ou poder.\" tabindex=\"0\">invocaci\u00f3n<\/span> \u00ab\u0141ado, \u0142ado!\u00bb (tam\u00e9n \u00abLada, Lada!\u00bb ou \u00ab\u0141ado, \u0141ado, jary \u0141ado!\u00bb) en cantigas de primavera e de vodas. Estes estribillos est\u00e1n documentados en gran n\u00famero en colecci\u00f3ns de canci\u00f3ns polacas, ucra\u00ednas, bielorrusas e rusas do s\u00e9culo 19.<\/p><p>Aleksandr Afan\u00e1siev recolleu numerosos exemplos en \u00abPoeticheskiye vozzreniya slavyan na prirodu\u00bb (1865 a 1869). A folclor\u00edstica cr\u00edtica da \u00e9poca sovi\u00e9tica (Vlad\u00edmir Propp, Boris Putilov) examinou a autenticidade dunha parte destas colecci\u00f3ns e distinguiu entre fontes popular-arcaicas e fontes influenciadas pola literatura.<\/p>\n<p>Nos costumes de maio e Pentecoste de moitas rexi\u00f3ns eslavas, as danzas de raparigas en roda, o lanzamento de coroas de flores e o deixalas flotar na auga eran pr\u00e1cticas moi estendidas nas que se invocaba a Lada. A roda ucra\u00edna \u00abHahilki\u00bb, o \u00abStado\u00bb polaco e o <span class=\"iwg-fachbegriff\" data-tooltip=\"O conxunto dos costumes transmitidos por unha comunidade.\" tabindex=\"0\">costume<\/span> surodeslavo \u00abLazarice\u00bb pertencen a este complexo. Non se pode decidir con certeza se estes costumes proceden directamente dun antigo <span class=\"iwg-fachbegriff\" data-tooltip=\"O conxunto dos actos de veneraci\u00f3n relixiosa dedicados a unha divindade ou figura sagrada.\" tabindex=\"0\">culto<\/span> a Lada ou se son rituais vexetativos xerais de primavera.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-18674c9 e-con-full e-flex e-con e-child\" data-id=\"18674c9\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-9d0dbb2 elementor-widget elementor-widget-heading\" data-id=\"9d0dbb2\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Voda e culto familiar<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-14b9873 elementor-widget elementor-widget-text-editor\" data-id=\"14b9873\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>Lada aparece en cantos de voda como deusa protectora da noiva e do matrimonio recente. Nalgunhas rexi\u00f3ns cham\u00e1base \u00abLada\u00bb \u00e1 propia noiva; a canci\u00f3n de amor polaca \u00abO \u0141ado, \u0141ado\u00bb \u00e9 un exemplo cl\u00e1sico.<\/p><p>Na <span class=\"iwg-fachbegriff\" data-tooltip=\"A cultura popular transmitida a trav\u00e9s de costumes, relatos e canci\u00f3ns.\" tabindex=\"0\">folclore<\/span> eslava do sur, \u00ablada\u00bb segue sendo hoxe unha palabra cari\u00f1osa para referirse \u00e1 amada. Este rastro ling\u00fc\u00edstico apoia a hip\u00f3tese dunha antiga deusa da orde matrimonial, cuxo nome pasou \u00e1 linguaxe coti\u00e1.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-f2145b4 e-con-full e-flex e-con e-child\" data-id=\"f2145b4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-9f9b361 elementor-widget elementor-widget-heading\" data-id=\"9f9b361\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Situaci\u00f3n na historia das relixi\u00f3ns e paralelismos<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-fcb18e9 elementor-widget elementor-widget-text-editor\" data-id=\"fcb18e9\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>Estruturalmente, Lada corresponde \u00e1s funci\u00f3ns que noutros pante\u00f3ns indoeuropeos desempe\u00f1an as deusas do amor e da beleza: Freya (xerm\u00e1nica), Afrodita (Grecia), Venus (Roma), Lakshmi (hindu\u00edsmo), Hathor (Exipto).<\/p><p>A diferenza destas, Lada non est\u00e1 respaldada por <span class=\"iwg-fachbegriff\" data-tooltip=\"Un edificio dedicado ao culto dunha ou varias divindades.\" tabindex=\"0\">templos<\/span> monumentais nin por mitos dogm\u00e1ticos; a s\u00faa realidade permanece ancorada na relixi\u00f3n popular. Esta situaci\u00f3n non \u00e9 inusual na historia das relixi\u00f3ns: tam\u00e9n a deusa b\u00e1ltica Laima, que presenta similitudes estruturais con Lada, est\u00e1 documentada principalmente a trav\u00e9s do folclore.<\/p>\n<p>Vladimir Toporov relacionou a Lada eslava coa letoa Laima e coa hitita Hannahanna nunha capa indoeuropea-anat\u00f3lica com\u00fan; esta reconstruci\u00f3n de estruturas profundas \u00e9 metodicamente ambiciosa e en parte controvertida. Boris Rybakov intentou situar a Lada nunha capa arcaica de \u00abGran Deusa\u00bb dos eslavos orientais; esta construci\u00f3n tam\u00e9n se considera esaxerada.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-f4cbc83 e-con-full e-flex e-con e-child\" data-id=\"f4cbc83\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-2ab74d4 elementor-widget elementor-widget-heading\" data-id=\"2ab74d4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Pervivencia e recepci\u00f3n moderna<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-93672af elementor-widget elementor-widget-text-editor\" data-id=\"93672af\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>No s\u00e9culo XIX, Lada converteuse nunha figura destacada do romanticismo eslavo. Adam Mickiewicz, Juliusz S\u0142owacki e poetas ucra\u00ednos como Ivan Franko refer\u00edronse a ela nas s\u00faas obras.<\/p><p>Na m\u00fasica dos s\u00e9culos XIX e XX (Mussorgski, Stravinsky) aparecen alusi\u00f3ns a Lada, especialmente en \u00abLe Sacre du printemps\u00bb (1913), que alude \u00e1 roda da primavera. Nas artes pl\u00e1sticas do modernismo polaco (\u00abM\u0142oda Polska\u00bb), Lada \u00e9 unha figura recorrente.<\/p>\n<p>O moderno movemento da Rodnoveria (neopaganismo) fixo de Lada a <span class=\"iwg-fachbegriff\" data-tooltip=\"Un ser venerado como divino dentro dunha relixi\u00f3n.\" tabindex=\"0\">divindade<\/span> feminina central dun pante\u00f3n reconstru\u00eddo. Desde a perspectiva da historia das relixi\u00f3ns, esta reavivaci\u00f3n \u00e9 unha nova construci\u00f3n que se apoia na tradici\u00f3n popular e nas colecci\u00f3ns rom\u00e1nticas, non nunha pr\u00e1ctica de culto continuada.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-8d1ce2c e-con-full e-flex e-con e-child\" data-id=\"8d1ce2c\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-e2c2122 elementor-widget elementor-widget-heading\" data-id=\"e2c2122\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Fontes<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-01e526c elementor-widget elementor-widget-text-editor\" data-id=\"01e526c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<footer class=\"iwg-literatur\"><p>Decisi\u00f3n sinodal de \u0141\u0119czyca (1420). Jan D\u0142ugosz, \u00abAnnales seu cronicae incliti Regni Poloniae\u00bb (1455 a 1480), libro I. Escritos homil\u00e9ticos e decisi\u00f3ns sinodais polacas do s\u00e9culo XV. Colecci\u00f3ns de canci\u00f3ns ucra\u00ednas, bielorrusas e rusas dos s\u00e9culos XVIII e XIX, en particular as colecci\u00f3ns de Aleksandr Afan\u00e1siev e P\u00e1vel Chubinski.<\/p>\n<p>Aleksander Br\u00fcckner, \u00abMitologia s\u0142owia\u0144ska\u00bb, Cracovia 1918 (posici\u00f3n cr\u00edtica e esc\u00e9ptica). Aleksander Gieysztor, \u00abMitologia S\u0142owian\u00bb, Varsovia 1982. Boris Rybakov, \u00abYazychestvo drevnikh slavyan\u00bb, Moscova 1981 (con reservas).<\/p><p>Vladimir Toporov e Vyacheslav Ivanov, \u00abIssledovaniya v oblasti slavyanskikh drevnostey\u00bb, Moscova 1974. Henryk \u0141owmia\u0144ski, \u00abReligia S\u0142owian i jej upadek\u00bb, Varsovia 1979. Vladimir Propp, \u00abRusskie agrarnye prazdniki\u00bb, Leningrado 1963. Ji\u0159\u00ed Dynda, \u00abSlovansk\u00e9 pohanstv\u00ed ve st\u0159edov\u011bk\u00fdch latinsk\u00fdch pramenech\u00bb, Praga 2017. Michael Shkapa e outras achegas en \u00abStudia Mythologica Slavica\u00bb, Liubliana desde 1998.<\/p><\/footer>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-30567fb e-con-full e-flex e-con e-child\" data-id=\"30567fb\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-cd86711 elementor-widget elementor-widget-heading\" data-id=\"cd86711\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">A controversia de Br\u00fcckner<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6f71af9 elementor-widget elementor-widget-text-editor\" data-id=\"6f71af9\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>Aleksander Br\u00fcckner (1856 a 1939), o m\u00e1is destacado eslavista polaco da s\u00faa xeraci\u00f3n, dominou a cuesti\u00f3n de Lada na investigaci\u00f3n de comezos do s\u00e9culo XX.<\/p><p>En \u00abMitologia s\u0142owia\u0144ska\u00bb (1918) e en varios artigos detallados, defendeu a tese de que \u00abLada\u00bb non era un nome divino, sen\u00f3n simplemente un estribillo de canci\u00f3n, comparable \u00e1s interxecci\u00f3ns onomatopeicas \u00abhej\u00bb, \u00abdana\u00bb ou \u00ablalala\u00bb que aparecen en moitas canci\u00f3ns populares eslavas.<\/p><p>O argumento de Br\u00fcckner base\u00e1base na ausencia de menci\u00f3ns nas principais fontes medievais, na aparici\u00f3n de estribillos similares en contextos non relixiosos e na hip\u00f3tese de que os cl\u00e9rigos do s\u00e9culo XV interpretaran erroneamente o estribillo desco\u00f1ecido como nome dunha divindade.<\/p>\n<p>Esta posici\u00f3n esc\u00e9ptica dominou durante moito tempo a imaxe de Lada na investigaci\u00f3n do s\u00e9culo XX. Henryk \u0141owmia\u0144ski asumiuna en esencia na s\u00faa obra cl\u00e1sica \u00abReligia S\u0142owian i jej upadek\u00bb (1979), e tam\u00e9n historiadores das relixi\u00f3ns cr\u00edticos m\u00e1is recentes, como Stanis\u0142aw Urba\u0144czyk, defenderon a li\u00f1a de Br\u00fcckner.<\/p><p>Os argumentos a favor son a prudencia metodol\u00f3xica no manexo de testemu\u00f1os folcl\u00f3ricos tard\u00edos e a conciencia de que as reconstruci\u00f3ns das relixi\u00f3ns eslavas se apoian a mi\u00fado nunha base documental d\u00e9bil.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-e39e6dd e-con-full e-flex e-con e-child\" data-id=\"e39e6dd\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-a87e5c2 elementor-widget elementor-widget-heading\" data-id=\"a87e5c2\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">A posici\u00f3n contraria de Gieysztor e Rybakov<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-dc51214 elementor-widget elementor-widget-text-editor\" data-id=\"dc51214\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>Aleksander Gieysztor (\u00abMitologia S\u0142owian\u00bb, 1982) modificou substancialmente a tese de Br\u00fcckner. Argumenta que a frecuencia e a difusi\u00f3n xeogr\u00e1fica das invocaci\u00f3ns a Lada, desde o B\u00e1ltico at\u00e9 os Balc\u00e1ns, desde Polonia at\u00e9 os Balc\u00e1ns do sur, dif\u00edcilmente se poden explicar por un \u00fanico estribillo onomatopeico.<\/p><p>A semellanza estrutural coa letoa Laima (deusa do destino e do amor) e a conexi\u00f3n etimol\u00f3xica co protoeslavo \u00ablada\u00bb (amada, muller) apuntan a unha verdadeira deusa do amor e da orde matrimonial, arraigada polo menos na relixi\u00f3n popular dos eslavos occidentais e orientais.<\/p>\n<p>Boris Rybakov foi a\u00ednda m\u00e1is lonxe e situou a Lada, nas s\u00faas obras principais, como divindade materna central dun pante\u00f3n eslavo reconstru\u00eddo. A s\u00faa argumentaci\u00f3n \u00e9 rica en materiais, pero metodicamente problem\u00e1tica; moitas das s\u00faas identificaci\u00f3ns (Lada como deusa da vexetaci\u00f3n primaveral, como divindade protectora das vodas e como creadora c\u00f3smica) consid\u00e9ranse hoxe esaxeradas na investigaci\u00f3n. A eslav\u00edstica cr\u00edtica rexeitou a posici\u00f3n maximalista de Rybakov.<\/p>\n<p>A investigaci\u00f3n m\u00e1is recente (Ji\u0159\u00ed Dynda, Michael Shkapa, o c\u00edrculo da \u00abStudia Mythologica Slavica\u00bb) tende a unha posici\u00f3n intermedia: \u00e9 probable que Lada existise como figura da relixi\u00f3n popular, pero non necesariamente como membro do pante\u00f3n oficial do estado eslavo oriental da Rus de Kiev. A s\u00faa veneraci\u00f3n era popular e campesi\u00f1a, non cortes\u00e1 nin cultual institucionalizada.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-48cf6e0 e-con-full e-flex e-con e-child\" data-id=\"48cf6e0\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-f412053 elementor-widget elementor-widget-heading\" data-id=\"f412053\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">A tradici\u00f3n documental polaca de D\u0142ugosz<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-34152cb elementor-widget elementor-widget-text-editor\" data-id=\"34152cb\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>Un papel especial xoga a lista de deuses polaca de Jan D\u0142ugosz na s\u00faa \u00abAnnales seu cronicae incliti Regni Poloniae\u00bb (escrita entre 1455 e 1480). D\u0142ugosz enumera un <span class=\"iwg-fachbegriff\" data-tooltip=\"O conxunto dos deuses dunha relixi\u00f3n ou cultura.\" tabindex=\"0\">pante\u00f3n<\/span> polaco cos nomes Jesza (correspondente a X\u00fapiter), Lada (correspondente a Marte), Dziedzi\u0142ela (correspondente a Venus), Nyja (correspondente a Plut\u00f3n), Dziewanna (correspondente<\/p><p>a Diana) e Marzanna (correspondente a Ceres). Esta lista \u00e9 historicamente problem\u00e1tica: segue de forma evidente o esquema romano dos nomes divinos e en parte parece unha construci\u00f3n humanista, na que D\u0142ugosz quer\u00eda atribu\u00edr aos polacos un <span class=\"iwg-fachbegriff\" data-tooltip=\"O conxunto dos deuses dunha relixi\u00f3n ou cultura.\" tabindex=\"0\">pante\u00f3n<\/span> equiparable ao dos romanos e os gregos.<\/p>\n<p>\u00c9 digno de nota que D\u0142ugosz identifica a Lada como masculino (como Marte). Isto contrad\u00ed a tradici\u00f3n relixiosa popular, na que Lada \u00e9 claramente feminina.<\/p><p>A investigaci\u00f3n actual interpreta esta discrepancia en parte como indicio dunha dobre natureza sexual da figura (paralela ao \u00abLado\u00bb masculino e \u00e1 \u00abLada\u00bb feminina nas canci\u00f3ns), en parte como proba do car\u00e1cter constru\u00eddo da lista de D\u0142ugosz. Aleksander Br\u00fcckner consideraba a D\u0142ugosz pouco fiable, mentres que Aleksander Gieysztor viu nel, cando menos, un importante indicio sobre a relixiosidade popular polaca do final da Idade Media.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-23a1c53 e-con-full e-flex e-con e-child\" data-id=\"23a1c53\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-cad8e0c elementor-widget elementor-widget-heading\" data-id=\"cad8e0c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Lada e \u0141ado nas canci\u00f3ns de voda<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-e038e52 elementor-widget elementor-widget-text-editor\" data-id=\"e038e52\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>Nas canci\u00f3ns de voda polacas, ucra\u00ednas, bielorrusas e do sur eslavo, \u00abLada\u00bb (ou \u00ab\u0141ado\u00bb) aparece xeralmente como <span class=\"iwg-fachbegriff\" data-tooltip=\"O acto de dirixirse suplicante ou invocador a unha divindade ou poder.\" tabindex=\"0\">invocaci\u00f3n<\/span> no estribillo. A forma var\u00eda: \u00ab\u0141ado, \u0142ado!\u00bb, \u00ab\u0141ado-\u0141ado, dany-\u0142ado!\u00bb, \u00abOj Lado moje\u00bb.<\/p><p>O feito de que a <span class=\"iwg-fachbegriff\" data-tooltip=\"O acto de dirixirse suplicante ou invocador a unha divindade ou poder.\" tabindex=\"0\">invocaci\u00f3n<\/span> poida tomar non s\u00f3 a forma feminina, sen\u00f3n tam\u00e9n a masculina (\u00ab\u0141ado\u00bb como forma vocativa masculina), deu lugar a un debate sobre a existencia dunha parella divina \u00abLada-\u0141ado\u00bb. Boris Rybakov e alg\u00fans autores m\u00e1is recentes reconstru\u00edron esta figura de parella; Aleksander Br\u00fcckner consider\u00e1baa unha construci\u00f3n sen base hist\u00f3rica.<\/p>\n<p>As propias canci\u00f3ns de voda est\u00e1n recollidas en colecci\u00f3ns dos s\u00e9culos XVIII e XIX. Vuk Karad\u017ei\u0107, Aleksander Afanasjew, Pavel Chubinski e outros folkloristas recolleron centos de exemplos.<\/p><p>Nun pasaxe t\u00edpico, a noiva \u00e9 declarada Lada, ou p\u00eddeselles aos pais dos noivos <span class=\"iwg-fachbegriff\" data-tooltip=\"O outorgamento de benestar e protecci\u00f3n, a mi\u00fado en forma ling\u00fc\u00edstica fixa.\" tabindex=\"0\">bendici\u00f3n<\/span> \u00aben nome de Lada\u00bb. En que medida estas invocaci\u00f3ns te\u00f1en un fondo relixioso hai que comprobalo en cada caso; en moitas ocasi\u00f3ns trat\u00e1base de f\u00f3rmulas tradicionais sen funci\u00f3n relixiosa activa.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-1e28635 e-con-full e-flex e-con e-child\" data-id=\"1e28635\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-6979cbd elementor-widget elementor-widget-heading\" data-id=\"6979cbd\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Lada e a Laima letona<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0fd3f9b elementor-widget elementor-widget-text-editor\" data-id=\"0fd3f9b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>Unha figura de comparaci\u00f3n importante \u00e9 a Laima letona, a deusa do destino e do nacemento do pante\u00f3n b\u00e1ltico. Laima est\u00e1 ben documentada nas canci\u00f3ns populares letonas (Dainas) e \u00e9 invocada como deusa do destino que determina a sorte dos rec\u00e9n nacidos.<\/p><p>As paralelismos estruturais coa Lada eslava son a vinculaci\u00f3n coa voda e o nacemento, a relaci\u00f3n coa primavera e o car\u00e1cter feminino e invocable. Vladimir Toporov analizou sistematicamente este paralelismo na s\u00faa investigaci\u00f3n comparativa indoeuropea-b\u00e1ltica-eslava e sup\u00f3n unha camada indoeuropea com\u00fan detr\u00e1s de ambas as figuras.<\/p>\n<p>Outra figura de comparaci\u00f3n \u00e9 a Hannahanna anat\u00f3lico-hitita (\u00abavoa\u00bb), unha deusa nai da fertilidade e do nacemento. Esta reconstruci\u00f3n de estrutura profunda segue sendo hipot\u00e9tica; pero mostra que o debate sobre Lada est\u00e1 inserido nun campo de investigaci\u00f3n indoeuropeo m\u00e1is amplo, m\u00e1is al\u00e1 da esfera eslava.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-af51c3d e-con-full e-flex e-con e-child\" data-id=\"af51c3d\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-5af4973 elementor-widget elementor-widget-heading\" data-id=\"5af4973\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Lada na recepci\u00f3n moderna<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1828192 elementor-widget elementor-widget-text-editor\" data-id=\"1828192\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>Co xurdimento do romanticismo nacional eslavo no s\u00e9culo XIX, Lada converteuse nunha das figuras m\u00e1is destacadas do paganismo redescuberto. Adam Mickiewicz, Juliusz S\u0142owacki, Cyprian Norwid e poetas ucra\u00ednos como Ivan Franko refer\u00edrense a ela nas s\u00faas obras.<\/p><p>Na pintura do movemento polaco \u00abM\u0142oda Polska\u00bb (\u00abPolonia Nova\u00bb, aprox. 1890 a 1918), Lada \u00e9 unha figura recorrente; Stanis\u0142aw Wyspia\u0144ski e Jacek Malczewski recolleron motivos de Lada.<\/p>\n<p>Na m\u00fasica dos s\u00e9culos XIX e principios do XX, Lada est\u00e1 presente en varias obras eslavas orientais, sendo a m\u00e1is significativa \u00abLe Sacre du printemps\u00bb (1913) de Igor Stravinsky, que alude \u00e1 roda de primavera. No movemento contempor\u00e1neo do rodnoverismo e neopag\u00e1n, Lada \u00e9 unha divindade feminina principal e central. Esta veneraci\u00f3n moderna debe considerarse, desde o punto de vista da historia das relixi\u00f3ns, como unha nova construci\u00f3n.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-9181f1b e-con-full e-flex e-con e-child\" data-id=\"9181f1b\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-431306e elementor-widget elementor-widget-heading\" data-id=\"431306e\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">A tradici\u00f3n eslava do sur das Lazarice<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7ec3ed8 elementor-widget elementor-widget-text-editor\" data-id=\"7ec3ed8\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>Un rastro notable da tradici\u00f3n de Lada at\u00f3pase na tradici\u00f3n eslava do sur das \u00abLazarice\u00bb, que se celebra en Serbia, Bulgaria e Macedonia arredor da festa ortodoxa de L\u00e1zaro (Lazareva Subota, o s\u00e1bado anterior ao Domingo de Ramos).<\/p><p>As mozas, vestidas con traxes brancos e adornadas con coroas de flores, van de casa en casa cantando canci\u00f3ns de primavera e de voda con invocaci\u00f3ns a Lada, e reciben a cambio ovos, di\u00f1eiro e pequenos agasallos. Esta tradici\u00f3n seguiu viva en moitas aldeas eslavas do sur ata o s\u00e9culo XX e en certos lugares mantense ata hoxe.<\/p>\n<p>Desde o punto de vista cient\u00edfico, a tradici\u00f3n das Lazarice \u00e9 un caso cl\u00e1sico de superposici\u00f3n cristi\u00e1n-pag\u00e1. O nome cristi\u00e1n (L\u00e1zaro) imp\u00faxose sobre unha tradici\u00f3n prechristiana de primavera, centrada en rondas de mozas, invocaci\u00f3ns a Lada e s\u00edmbolos de vexetaci\u00f3n. Vuk Karad\u017ei\u0107 documentou por primeira vez esta tradici\u00f3n no s\u00e9culo XIX, e Sergej Tokarev integrouna na s\u00faa teor\u00eda xeral da relixiosidade primaveral eslava oriental.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-cfe4ebe e-con-full e-flex e-con e-child\" data-id=\"cfe4ebe\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-9a5fe76 elementor-widget elementor-widget-heading\" data-id=\"9a5fe76\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Papeis de x\u00e9nero e o ritual de voda eslavo<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-2344387 elementor-widget elementor-widget-text-editor\" data-id=\"2344387\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>O papel central de Lada no ritual matrimonial eslavo axuda a comprender a funci\u00f3n hist\u00f3rica das construci\u00f3ns de roles de x\u00e9nero no eslavismo precristi\u00e1n.<\/p><p>A diferenza de moitos pante\u00f3ns indoeuropeos, nos que as deusas principais adoitan asumir tam\u00e9n funci\u00f3ns guerreiras ou reais (Hera, Xuno, Atenea), Lada \u00e9 unha <span class=\"iwg-fachbegriff\" data-tooltip=\"Un ser venerado como divino dentro dunha relixi\u00f3n.\" tabindex=\"0\">divindade<\/span> centrada especificamente nun rol de x\u00e9nero: a s\u00faa esfera \u00e9 a da muller no matrimonio, o amor e a familia.<\/p><p>Esta limitaci\u00f3n funcional poder\u00eda apuntar a unha especializaci\u00f3n relativamente tard\u00eda ou a unha l\u00f3xica estrutural diferente do pante\u00f3n eslavo.<\/p>\n<p>Nas canci\u00f3ns de voda eslavas, amplamente documentadas nas colecci\u00f3ns de Aleksander Afanasjev e Pavel Chubinski, a noiva \u00e9 chamada con frecuencia \u00abLada\u00bb.<\/p><p>Esta identificaci\u00f3n da noiva coa deusa \u00e9 un exemplo cl\u00e1sico da valorizaci\u00f3n ritual da voda como acto sacro, no que a noiva recibe estatus divino durante a duraci\u00f3n da festa. Vladimir Propp describiu fen\u00f3menos semellantes en festas da colleita e ritos de vexetaci\u00f3n en \u00abRusskie agrarnye prazdniki\u00bb.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":3266,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"_yoast_wpseo_focuskw":"Lada","_yoast_wpseo_title":"Lada \u2013 Deusa eslava do amor | iWell Guard","_yoast_wpseo_metadesc":"Lada \u00e9 a deusa eslava do amor, a beleza e o matrimonio. 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