{"id":6137,"date":"2026-05-19T11:43:55","date_gmt":"2026-05-19T11:43:55","guid":{"rendered":"https:\/\/iwell-guard.com\/aengus\/"},"modified":"2026-06-04T09:25:41","modified_gmt":"2026-06-04T09:25:41","slug":"aengus","status":"publish","type":"page","link":"https:\/\/iwell-guard.com\/en\/aengus\/","title":{"rendered":"Aengus"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"6137\" class=\"elementor elementor-6137 elementor-3049 elementor-bc-flex-widget\" data-elementor-post-type=\"page\">\n\t\t\t\t<div class=\"elementor-element elementor-element-ac099aa e-flex e-con-boxed e-con e-parent\" data-id=\"ac099aa\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-c4447c7 e-flex e-con-boxed e-con e-child\" data-id=\"c4447c7\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-db560b3 e-con-full e-flex e-con e-child\" data-id=\"db560b3\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-3adb205 elementor-widget elementor-widget-heading\" data-id=\"3adb205\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">Aengus: Irish god of love and youth<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-e069127 elementor-widget elementor-widget-text-editor\" data-id=\"e069127\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>Aengus is an Irish god of love, youth and poetic inspiration who holds a firm place in the <span class=\"iwg-fachbegriff\" data-tooltip=\"A transmitted narrative often with a historical core and miraculous features.\" tabindex=\"0\">saga<\/span> cycle of the Tuatha D\u00e9 Danann.<\/p><p>Aengus, in Old Irish spelling \u00d3engus mac in Daghdha or Mac ind \u00d3g (\u00abYoung Son\u00bb), is a central figure of Irish <span class=\"iwg-fachbegriff\" data-tooltip=\"The whole body of transmitted divine narratives of a culture.\" tabindex=\"0\">mythology<\/span> and is regarded as the god of youth, love and poetic inspiration.<\/p><p>He is the son of the Dagda and of Boann, the goddess of the river Boyne, and according to traditional localization resides in the passage tomb Br\u00fa na B\u00f3inne, today&#8217;s Newgrange. The oldest narrative texts about Aengus date back to the 8th century.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-2bc47b3 e-con-full e-flex e-con e-parent\" data-id=\"2bc47b3\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-748962a elementor-widget elementor-widget-html\" data-id=\"748962a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t\t<div class=\"iwg-pill-row\"><span class=\"iwg-klasse-badge\" tabindex=\"0\" data-tooltip=\"God \/ Goddess: Personified supreme power in the pantheon of a culture, with clear areas of responsibility: forces of nature, fate, war, fertility. Venerated through cults, sacrifices and temple institutions.\">God<\/span><a href=\"https:\/\/iwell-guard.com\/en\/celtic\/\" class=\"iwg-kultur-badge\" tabindex=\"0\" data-tooltip=\"Celtic religion of Western Europe and the British Isles, transmitted mythologically through Irish and Welsh texts.\">Celtic<\/a><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-f842fa7 e-con-full e-flex e-con e-child\" data-id=\"f842fa7\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-94b3352 elementor-toc--minimized-on-tablet elementor-widget elementor-widget-table-of-contents\" data-id=\"94b3352\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;exclude_headings_by_selector&quot;:[],&quot;no_headings_message&quot;:&quot;Es wurden keine \\u00dcberschriften auf dieser Seite gefunden.&quot;,&quot;headings_by_tags&quot;:[&quot;h2&quot;,&quot;h3&quot;],&quot;marker_view&quot;:&quot;bullets&quot;,&quot;icon&quot;:{&quot;value&quot;:&quot;fas fa-circle&quot;,&quot;library&quot;:&quot;fa-solid&quot;,&quot;rendered_tag&quot;:&quot;&lt;svg class=\\&quot;e-font-icon-svg e-fas-circle\\&quot; viewBox=\\&quot;0 0 512 512\\&quot; xmlns=\\&quot;http:\\\/\\\/www.w3.org\\\/2000\\\/svg\\&quot;&gt;&lt;path d=\\&quot;M256 8C119 8 8 119 8 256s111 248 248 248 248-111 248-248S393 8 256 8z\\&quot;&gt;&lt;\\\/path&gt;&lt;\\\/svg&gt;&quot;},&quot;minimize_box&quot;:&quot;yes&quot;,&quot;minimized_on&quot;:&quot;tablet&quot;,&quot;hierarchical_view&quot;:&quot;yes&quot;,&quot;min_height&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;min_height_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;min_height_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]}}\" data-widget_type=\"table-of-contents.default\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-toc__header\">\n\t\t\t\t\t\t<h2 class=\"elementor-toc__header-title\">\n\t\t\t\tTable of Contents\t\t\t<\/h2>\n\t\t\t\t\t\t\t\t\t\t<div class=\"elementor-toc__toggle-button elementor-toc__toggle-button--expand\" role=\"button\" tabindex=\"0\" aria-controls=\"elementor-toc__94b3352\" aria-expanded=\"true\" aria-label=\"Open table of contents\"><svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-chevron-down\" viewBox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M207.029 381.476L12.686 187.132c-9.373-9.373-9.373-24.569 0-33.941l22.667-22.667c9.357-9.357 24.522-9.375 33.901-.04L224 284.505l154.745-154.021c9.379-9.335 24.544-9.317 33.901.04l22.667 22.667c9.373 9.373 9.373 24.569 0 33.941L240.971 381.476c-9.373 9.372-24.569 9.372-33.942 0z\"><\/path><\/svg><\/div>\n\t\t\t\t<div class=\"elementor-toc__toggle-button elementor-toc__toggle-button--collapse\" role=\"button\" tabindex=\"0\" aria-controls=\"elementor-toc__94b3352\" aria-expanded=\"true\" aria-label=\"Close table of contents\"><svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-chevron-up\" viewBox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M240.971 130.524l194.343 194.343c9.373 9.373 9.373 24.569 0 33.941l-22.667 22.667c-9.357 9.357-24.522 9.375-33.901.04L224 227.495 69.255 381.516c-9.379 9.335-24.544 9.317-33.901-.04l-22.667-22.667c-9.373-9.373-9.373-24.569 0-33.941L207.03 130.525c9.372-9.373 24.568-9.373 33.941-.001z\"><\/path><\/svg><\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<div id=\"elementor-toc__94b3352\" class=\"elementor-toc__body\">\n\t\t\t<div class=\"elementor-toc__spinner-container\">\n\t\t\t\t<svg class=\"elementor-toc__spinner eicon-animation-spin e-font-icon-svg e-eicon-loading\" aria-hidden=\"true\" viewBox=\"0 0 1000 1000\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M500 975V858C696 858 858 696 858 500S696 142 500 142 142 304 142 500H25C25 237 238 25 500 25S975 237 975 500 763 975 500 975Z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-4ea867a e-con-full e-flex e-con e-child\" data-id=\"4ea867a\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-f62e240 iwg-hero-image elementor-widget elementor-widget-image\" data-id=\"f62e240\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/iwell-guard.com\/wp-content\/uploads\/2026\/05\/goetter_keltisch_aengus-683x1024.webp\" class=\"attachment-large size-large wp-image-6138\" alt=\"Aengus - Gods from the Celtic tradition, historical and illustrative\" srcset=\"https:\/\/iwell-guard.com\/wp-content\/uploads\/2026\/05\/goetter_keltisch_aengus-683x1024.webp 683w, https:\/\/iwell-guard.com\/wp-content\/uploads\/2026\/05\/goetter_keltisch_aengus-200x300.webp 200w, https:\/\/iwell-guard.com\/wp-content\/uploads\/2026\/05\/goetter_keltisch_aengus-768x1152.webp 768w, https:\/\/iwell-guard.com\/wp-content\/uploads\/2026\/05\/goetter_keltisch_aengus.webp 1024w\" sizes=\"(max-width: 683px) 100vw, 683px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-6e6e69b e-con-boxed e-flex e-con e-parent\" data-id=\"6e6e69b\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-bd0c179 e-con-full e-flex e-con e-child\" data-id=\"bd0c179\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-1c4dfaf elementor-widget elementor-widget-heading\" data-id=\"1c4dfaf\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Sources and Transmission<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-2f93be9 elementor-widget elementor-widget-text-editor\" data-id=\"2f93be9\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>The most important texts about Aengus are the Old Irish narratives \u00abAislinge \u00d3enguso\u00bb (\u00abAengus&#8217; Dream\u00bb, 8th century), \u00abTochmarc \u00c9ta\u00edne\u00bb (\u00abThe Wooing of \u00c9ta\u00edn\u00bb, likewise 8th to 9th century) and the genealogical material from the \u00abLebor Gab\u00e1la \u00c9renn\u00bb.<\/p><p>Added to these are the \u00abDindshenchas\u00bb, the place-name narratives, which mention Aengus several times, especially in connection with the Boyne and with Br\u00fa na B\u00f3inne. In the Middle Irish \u00abAcallam na Sen\u00f3rach\u00bb (\u00abThe Colloquy of the Ancients\u00bb, 12th century) Aengus appears as an old, wise king of the S\u00edde.<\/p><p>In his works on Middle Irish literature (\u00abA Single Ray of the Sun\u00bb, 1999) John Carey pointed to the close interweaving between the hagiographic and the <span class=\"iwg-fachbegriff\" data-tooltip=\"From a Christian point of view: belonging to a pre-Christian or non-Christian religion.\" tabindex=\"0\">pagan<\/span> mythological <span class=\"iwg-fachbegriff\" data-tooltip=\"The passing on of knowledge and narratives across generations.\" tabindex=\"0\">tradition<\/span>.<\/p><p>Aengus appears there as an example of a <span class=\"iwg-fachbegriff\" data-tooltip=\"Originating from the period before the spread of Christianity.\" tabindex=\"0\">pre-Christian<\/span> figure who, in the Christian redaction, was indeed secularized but not eliminated. Bernhard Maier places Aengus within the mythical system of the Tuatha D\u00e9 Danann, in which he represents the youngest generation and thereby the \u00abprinciple of renewal\u00bb.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-7d8e1b0 e-con-full e-flex e-con e-child\" data-id=\"7d8e1b0\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-4116557 elementor-widget elementor-widget-heading\" data-id=\"4116557\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Birth and Br\u00fa na B\u00f3inne<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-e822efe elementor-widget elementor-widget-text-editor\" data-id=\"e822efe\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>The birth story of Aengus is closely connected with the passage tomb Newgrange. The Dagda falls in love with Boann, who is married to Elcmar.<\/p><p>In order to prolong the night of love, the Dagda makes the sun stand still for nine months, so that the conception, pregnancy and birth of Aengus all take place on a single day.<\/p><p>From this unusual conception derives the name \u00abMac ind \u00d3g\u00bb (\u00abYoung Son\u00bb). After his birth Aengus outwits Elcmar and takes possession of Br\u00fa na B\u00f3inne himself, by demanding during the inheritance that the tomb be left to him \u00abfor a day and a night\u00bb, which in Old Irish can encompass eternity.<\/p><p>This narrative points to an old connection of Aengus with the megalithic passage tomb on the Boyne, which was archaeologically built as early as around 3200 BC. In \u00abKelten\u00bb Helmut Birkhan stressed that the story shows a transition typical of the Irish tradition, from the archaeologically tangible <span class=\"iwg-fachbegriff\" data-tooltip=\"Veneration of a family's deceased as continuing protective powers.\" tabindex=\"0\">ancestor cult<\/span> to medieval narrated <span class=\"iwg-fachbegriff\" data-tooltip=\"The whole body of transmitted divine narratives of a culture.\" tabindex=\"0\">mythology<\/span>.<\/p><p>The astronomical alignment of Newgrange to the winter sunrise was not made explicit in the medieval text, but has been known through the archaeological research of Michael O&#8217;Kelly since 1969.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-c7e255a e-con-full e-flex e-con e-child\" data-id=\"c7e255a\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-d7c632f elementor-widget elementor-widget-heading\" data-id=\"d7c632f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Aengus' Dream and the Love for Caer<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-4d558e5 elementor-widget elementor-widget-text-editor\" data-id=\"4d558e5\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>The most famous Aengus mytheme is \u00abAislinge \u00d3enguso\u00bb, his dream. In a dream Aengus sees a wonderfully beautiful young woman who vanishes after he awakes. Sick with love, he searches for her for a whole year, until his mother Boann and his father the Dagda help him.<\/p><p>Finally he finds Caer Ibormeith at the lake Loch B\u00e9l Dracon, where she lives as a swan among 150 swans who are transformed into birds each year at Samain. Aengus transforms himself into a swan, and the pair flies away, their song casting the listeners into sleep for three days.<\/p><p>Marie-Louise Sjoestedt read this story as a typical Celtic <span class=\"iwg-fachbegriff\" data-tooltip=\"A recurring element of content in art or narrative.\" tabindex=\"0\">motif<\/span> of the \u00abdream messenger\u00bb (\u00abfith-fath\u00bb), in which the love between a human and an otherworldly being is realized through transformation and through the crossing of the boundary between the worlds.<\/p><p>John Carey pointed out that swan transformation in Celtic and Germanic tradition is frequently connected with Samain and with the turning of the year, which places Aengus within a calendrical and <span class=\"iwg-fachbegriff\" data-tooltip=\"An ordered sequence of symbolic actions with religious or cultural meaning.\" tabindex=\"0\">ritual<\/span> framework.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-c31da5b e-con-full e-flex e-con e-child\" data-id=\"c31da5b\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-5653c1e elementor-widget elementor-widget-heading\" data-id=\"5653c1e\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Role in Tochmarc \u00c9ta\u00edne<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-100a5d7 elementor-widget elementor-widget-text-editor\" data-id=\"100a5d7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>In \u00abTochmarc \u00c9ta\u00edne\u00bb, one of the most important narrative cycles of the Irish tradition, Aengus plays a central mediating role. His half-brother Midir falls in love with the beautiful \u00c9ta\u00edn, whom his first wife F\u00faamnach, out of jealousy, transforms into a pool of water.<\/p><p>In the course of transformations \u00c9ta\u00edn becomes a fly, then a woman who is born again. Aengus takes her into his S\u00eddh, protects her and ensures that she eventually finds her way back to Midir. The narrative connects him with the <span class=\"iwg-fachbegriff\" data-tooltip=\"A recurring element of content in art or narrative.\" tabindex=\"0\">motif<\/span> of rebirth and with reliability within the family of gods.<\/p><p>In \u00abThe Gods of the Celts\u00bb (1986) Miranda Aldhouse-Green pointed to the structural function of Aengus as a threshold <span class=\"iwg-fachbegriff\" data-tooltip=\"A being venerated as divine within a religion.\" tabindex=\"0\">deity<\/span>: he stands between the generations, between waking and dream, between animal and human form, between this world and the Otherworld. This mediating position makes him adaptable for numerous narratives in which transitions are shaped.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-fc0b71e e-con-full e-flex e-con e-child\" data-id=\"fc0b71e\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-f652002 elementor-widget elementor-widget-heading\" data-id=\"f652002\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Areas of Function<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-ec69272 elementor-widget elementor-widget-text-editor\" data-id=\"ec69272\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>Several areas of function can be read out of the texts. Aengus is the god of youthful love and fidelity, of poetry and inspiration, of dream and premonition, as well as of transformation.<\/p><p>His dwelling place, Br\u00fa na B\u00f3inne, is regarded as a <span class=\"iwg-fachbegriff\" data-tooltip=\"Belonging to the divine and thereby withdrawn from everyday use.\" tabindex=\"0\">sacred<\/span> place of inspiration and of encounter with the S\u00edde. He is repeatedly described as a generous host and as a patron of lovers.<\/p><p>Bernhard Maier places him within the functional scheme of a \u00abyoung <span class=\"iwg-fachbegriff\" data-tooltip=\"A being venerated as divine within a religion.\" tabindex=\"0\">deity<\/span>\u00bb, comparable to the Germanic Baldr, the Greek Eros or the Indian Kama.<\/p><p>A direct identity of function cannot be established, but the typological proximity clarifies the function of a love and youth deity within the Celtic <span class=\"iwg-fachbegriff\" data-tooltip=\"The whole body of the gods of a religion or culture.\" tabindex=\"0\">pantheon<\/span>. Helmut Birkhan additionally stressed the aspect of poetry and <span class=\"iwg-fachbegriff\" data-tooltip=\"Practices that seek to intervene in the course of things through special actions or formulas.\" tabindex=\"0\">magic<\/span>, which connects Aengus with Brigid and with the filid, the traditional Irish poets.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-228c187 e-con-full e-flex e-con e-child\" data-id=\"228c187\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-320c189 elementor-widget elementor-widget-heading\" data-id=\"320c189\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Welsh and Gaulish Parallels<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9de5d9a elementor-widget elementor-widget-text-editor\" data-id=\"9de5d9a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>A direct Welsh equivalent to Aengus cannot be clearly identified. Comparable functions are found in the figure of Mabon, the young son of Modron, who plays a role in \u00abCulhwch and Olwen\u00bb.<\/p><p>Mabon is comparable to the Mac ind \u00d3g, as was worked out in the older research of Sjoestedt and in the more recent works of John T. Koch. On the continent Maponos is attested in Roman inscriptions, whose name is etymologically directly connected with the Insular Celtic *makwo-no-s (\u00abyoung son\u00bb).<\/p><p>These parallels suggest that there existed in the Celtic-speaking area a widely distributed figure of a young god with a love and inspiration function, which was made concrete in the Irish texts in the figure of Aengus. An identical narrative structure is not attested, but the structural kinship is plausible.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-e186afd e-con-full e-flex e-con e-child\" data-id=\"e186afd\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-a83fbb1 elementor-widget elementor-widget-heading\" data-id=\"a83fbb1\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Reception<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-dc78d2b elementor-widget elementor-widget-text-editor\" data-id=\"dc78d2b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>In literary modernism William Butler <span class=\"iwg-fachbegriff\" data-tooltip=\"William Butler Yeats (1865-1939); Irish poet and folklorist; member of the Hermetic Order of the Golden Dawn.\" tabindex=\"0\">Yeats<\/span> treated Aengus in several poems, most famously in \u00abThe Song of Wandering Aengus\u00bb (1899), in which he takes up the dream motif. Yeats and his circle made Aengus one of the prominent figures of the Irish Renaissance.<\/p><p>In modern Celtic spirituality Aengus is regarded as the patron of young lovers and as inspiration for artistic work. Caution is called for here, because the modern reception often relies more strongly on Yeats than on the medieval texts.<\/p><p>The scholarly research of John Carey, Tom\u00e1s \u00d3 Cathasaigh and Kim McCone has in recent decades worked out the structures internal to the texts and shown that the medieval monastic scholars understood Aengus less as a pagan god than as a heroic figure of the mythological past.<\/p><p>This distance between religious function and literary form shapes the present-day discussion of the question whether Aengus was an independent <span class=\"iwg-fachbegriff\" data-tooltip=\"The whole body of religious acts of veneration for a deity or sacred figure.\" tabindex=\"0\">cult<\/span> addressee or primarily a literary construction of medieval scribes.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-47dbe91 e-con-full e-flex e-con e-child\" data-id=\"47dbe91\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-eabb141 elementor-widget elementor-widget-heading\" data-id=\"eabb141\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Aengus as Patron of the Filid<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-a123527 elementor-widget elementor-widget-text-editor\" data-id=\"a123527\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>A specific line of the Aengus tradition connects him with the filid, the learned poet class of Ireland. In \u00abAcallam na Sen\u00f3rach\u00bb an old warrior who knew Aengus personally tells of his gift of transforming reality through word magic and music.<\/p><p>This <span class=\"iwg-fachbegriff\" data-tooltip=\"A recurring element of content in art or narrative.\" tabindex=\"0\">motif<\/span> ties in with the Old Irish notion of the imbas forosnai, the \u00abcomprehensive inspiring knowledge\u00bb, which was attributed to the filid in a state of <span class=\"iwg-fachbegriff\" data-tooltip=\"An altered state of consciousness with narrowed attention; deliberately induced in shamanic and mediumistic practice.\" tabindex=\"0\">trance<\/span>. Aengus appears here not primarily as a god of love, but as a guarantor of poetic inspiration.<\/p><p>In \u00ab<span class=\"iwg-fachbegriff\" data-tooltip=\"Synonymous with pagan; belonging to a pre-Christian religion.\" tabindex=\"0\">Pagan<\/span> Past and Christian Present\u00bb (1990) Kim McCone showed that the medieval monks who wrote down the narratives deliberately stylized Aengus as a literarily effective figure who transferred pagan poetic art into a Christian world of learning.<\/p><p>Thus Aengus is less a historically tangible cult addressee than an integrative figure who connects the deep past with monastic culture.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-ca05d79 e-con-full e-flex e-con e-child\" data-id=\"ca05d79\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-f289f61 elementor-widget elementor-widget-heading\" data-id=\"f289f61\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Aengus in the Finn Cycle<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-e98b883 elementor-widget elementor-widget-text-editor\" data-id=\"e98b883\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>In the narrative cycle around Finn mac Cumhaill, Aengus appears several times as a protective foster-father and as the patron of Diarmuid Ua Duibhne, whose mother is said to have stood in a fosterage relationship with him.<\/p><p>In the \u00abT\u00f3raigheacht Dhiarmada agus Ghr\u00e1inne\u00bb (\u00abThe Pursuit of Diarmuid and Gr\u00e1inne\u00bb), whose oldest manuscript witness dates from the 16th century but whose oral tradition reaches back to the 10th century, Aengus repeatedly preserves the fleeing Diarmuid from Finn&#8217;s pursuits.<\/p><p>After Diarmuid&#8217;s death by the tusk of the <span class=\"iwg-fachbegriff\" data-tooltip=\"Practices that seek to intervene in the course of events through special actions or formulas.\" tabindex=\"0\">magical<\/span> boar of Beann Gulbain (Ben Bulben), Aengus carries the corpse into the Br\u00fa na B\u00f3inne, where he reactivates it through a breath of life for occasional dialogues.<\/p><p>In \u00abThe Wisdom of the Outlaw\u00bb (Berkeley 1985) Joseph Falaky Nagy showed that this episode actualizes the older topos of the S\u00eddhe-dweller as protective patron of expelled youth.<\/p><p>In the \u00abMacgn\u00edmartha Find\u00bb (\u00abThe Boyhood Deeds of Finn\u00bb) as well, whose text is contained in the \u00abLebor na hUidre\u00bb, Aengus appears at the margin of the narrative as a guarantor figure at whose court Finn as a boy receives part of his education.<\/p><p>This interweaving between the Mythological Cycle and the Finn Cycle assigns Aengus the role of a cultural mediator who remains present across the boundaries of the narrative cycles.<\/p><p>In \u00abCeltic Mythology\u00bb (1970) Proinsias Mac Cana described this status as a characteristic of so-called \u00abg\u00e9n\u00e9tiquement central\u00bb divine figures who appear as supporting figures in several narrative layers.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-d54be97 e-con-full e-flex e-con e-child\" data-id=\"d54be97\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-e6071f9 elementor-widget elementor-widget-heading\" data-id=\"e6071f9\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Linguistic and Iconographic References<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-8e21ed9 elementor-widget elementor-widget-text-editor\" data-id=\"8e21ed9\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>Linguistically and historically the name Aengus is read as \u00ab\u00f3en-guss\u00bb, \u00absingle force\u00bb or \u00abone force\u00bb, connected to Old Irish \u00abguss\u00bb \u00abforce, vehemence\u00bb.<\/p><p>This etymology was already advanced by Whitley Stokes and Kuno Meyer in the 19th century and is confirmed in the modern standard works on Old Irish onomastics, for example in Donncha \u00d3 Corr\u00e1in and Fidelma Maguire&#8217;s \u00abGaelic Personal Names\u00bb (Dublin 1981).<\/p><p>A competing reading as \u00abone choice\u00bb, \u00absingle choice\u00bb, is found in marginal glosses, but is etymologically less well supported.<\/p><p>It is significant that, as a literary point, Aengus bears the <span class=\"iwg-fachbegriff\" data-tooltip=\"A fixed epithet that characterizes a deity or figure.\" tabindex=\"0\">epithet<\/span> \u00abMac ind \u00d3g\u00bb (\u00abSon of Youth\u00bb or \u00abSon of the Two Young Ones\u00bb), which John Carey, in \u00abStudia Celtica\u00bb vol. 19 (1984), read as a deliberate inversion of a usual patronymic: it is not the father who names the son, but rather the mother (Boann) and the lover-father (the Dagda) who together form the name formula.<\/p><p>Iconographically, clear <span class=\"iwg-fachbegriff\" data-tooltip=\"Era of Greek and Roman culture, roughly 800 BC to 600 AD.\" tabindex=\"0\">ancient<\/span> depictions are lacking for Aengus, since Irish art of the <span class=\"iwg-fachbegriff\" data-tooltip=\"Prehistoric era after the Bronze Age, shaped by the working of iron.\" tabindex=\"0\">Iron Age<\/span> predominantly works non-figurally.<\/p><p>By contrast, the connection of the late <span class=\"iwg-fachbegriff\" data-tooltip=\"A prehistoric era in which bronze was the most important metal for tools.\" tabindex=\"0\">Bronze Age<\/span> sun and bird motifs on the gold of Coggalbeg, as well as the swan-pair symbolism in bronze objects from the <span class=\"iwg-fachbegriff\" data-tooltip=\"Magical or ecclesiastical exclusion; also the binding of a power through a formula.\" tabindex=\"0\">Bann<\/span> river, was cautiously mentioned by Barry Raftery in \u00ab<span class=\"iwg-fachbegriff\" data-tooltip=\"Synonymous with pagan; belonging to a pre-Christian religion.\" tabindex=\"0\">Pagan<\/span> Celtic Ireland\u00bb (London 1994) as an iconographic substrate onto which later narratives such as Aengus&#8217; transformation with Caer into a swan pair could be literarily projected back. A direct identification is not possible.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-a894f54 e-con-full e-flex e-con e-child\" data-id=\"a894f54\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-9f1ec7d elementor-widget elementor-widget-heading\" data-id=\"9f1ec7d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Br\u00fa na B\u00f3inne as Cosmic Center<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0834f76 elementor-widget elementor-widget-text-editor\" data-id=\"0834f76\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>Br\u00fa na B\u00f3inne, the megalithic passage tomb on the river Boyne, is the most important place of Aengus in Irish <span class=\"iwg-fachbegriff\" data-tooltip=\"The whole body of transmitted divine narratives of a culture.\" tabindex=\"0\">mythology<\/span>. It is regarded as a gateway to the Otherworld, as a treasure chamber and as an assembly place of the Tuatha D\u00e9 Danann.<\/p><p>The \u00abDindshenchas\u00bb transmit several etymologies of the place name, all with reference to Boann or to the water. The astronomical alignment of the corridor to the winter sunrise, known since the excavations of Michael O&#8217;Kelly, is not mentioned in any medieval source, which underlines the difficulty of linking archaeological findings with textually transmitted <span class=\"iwg-fachbegriff\" data-tooltip=\"The whole body of transmitted divine narratives of a culture.\" tabindex=\"0\">mythology<\/span>.<\/p><p>In modern Celtological research, Br\u00fa na B\u00f3inne is at once a UNESCO World Heritage Site and a culmination point for investigations into the relationship between the Neolithic and Celtic <span class=\"iwg-fachbegriff\" data-tooltip=\"The whole body of transmitted divine narratives of a culture.\" tabindex=\"0\">mythology<\/span>.<\/p><p>Bernhard Maier pointed out that the medieval texts probably draw on an old, continuous tradition of memory that marked certain places with divine presence, without a direct line to the religiosity of the builders being reconstructible from it.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Aengus: Irish god of love and youth Aengus is an Irish god of love, youth and poetic inspiration who holds a firm place in the saga cycle of the Tuatha D\u00e9 Danann. Aengus, in Old Irish spelling \u00d3engus mac in Daghdha or Mac ind \u00d3g (\u00abYoung Son\u00bb), is a central figure of Irish mythology and [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":6138,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_yoast_wpseo_focuskw":"Aengus","_yoast_wpseo_title":"Aengus: Irish God of Love and Youth | iWell Guard","_yoast_wpseo_metadesc":"Aengus (Aengus \u00d3g) is the Irish god of love, youth and inspiration: son of the Dagda and dweller of the Newgrange mound.","_yoast_wpseo_meta-robots-noindex":"","_yoast_wpseo_canonical":"","_angie_page":false,"gefaehrdungsstufe":"","wesen_kultur":"","wesen_klasse":"","footnotes":""},"categories":[110,86,27,57],"class_list":["post-6137","page","type-page","status-publish","has-post-thumbnail","hentry","category-celtic","category-gods","category-goetter","category-keltisch"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin 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